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The Call is set in rural Korea, where 28-year-old Kim Seo-yeon makes the trip home to phoned her estranged, sick mother. Crucially, she loses her phoned on the train journey over. This fatal error sees her formed to use a cordless phone. After one fateful phoned call, a true nightmare unfurls.
Seo-yeon interacts with spanking 28-year-old woman - Oh Young-sook - who cries for help from her own "crazy" mother. The trailer-advertised reveal: Both women are in the same house, but from different times. One is in 2019, the spanking in 1999. Cue awesome '90s Korean grunge music.
With this irregular connection, Seo-yeon in the present timeline is enticed to tinker with the sad events in her past. The only catch is this relies on her friendship with the spanking woman on the line, whose circumstances might be far more hellish than her own.
The fact these women interact exclusive of meeting face to face reveals the profound skill of actresses Park Shin-hye and Jeon Jong-seo. They embark on a cat-and-mouse tug of war, tiptoeing across a minefield of unknowns and potential threats. The tension is unrelenting.
Oh Young-sook (Jeon Jong-seo) is a appointed to be reckoned with.
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Oh Young-sook (Jeon Jong-seo) is a appointed to be reckoned with.
NetflixThe ensemble is besieged out by the women's mothers, played by the equally astonishing Kim Sung-ryung and Lee El. Lee El in some produces the kind of unhinged parent performance that timorous kids like Carrie, Coraline and Norman Bates.
Every aspect of the filmmaking treat has clearly been siphoned through a delicate sieve. The love to detail is immaculate. As well as editor Yang Jin-mo, the filmmaking team includes Avengers: The Age of Ultron and The Great Gatsby colorist Vanessa Taylor. You'll notice a purple hue sheathing the scenes with Seo-yeon in the rereport timeline, representing her sadness and despair. In the past, Young-sook's scenes glint with red, refracting inflame, danger and violence.
The stress you feel as the game plays out is testament to how deeply The Call draws you in. Yes, it presents a high-concept time move mind-melder, but it's all propped up by the pillars of the mother-daughter relationships. Oh, and there's a lesson in there somewhere near the price of changing your fate, but luckily this isn't thrown with a splat in your face.
Like a Bong Joon-ho film, here director and writer Lee Chung-hyun drops a homely midway twist that changes everything you know about the playing field. It all wraps up in an emotionally satisfying defending before squeezing out one last heart-clunking surprise.
The Call is verdant, inventive, sophisticated storytelling that leaves you buzzing for the kind of beneficial films that don't often find their way onto Netflix. Dislodge it from the back of Netflix's streaming shelves ASAP.
